“I could never myself believe in God, if it were not for the cross. The only God I believe in is the One Nietzsche ridiculed as “God on the cross.” In the real world of pain, how could one worship a God who was immune to it? I have entered many Buddhist temples in different Asian countries and stood respectfully before the statue of Buddha, his legs crossed, arms folded, eyes closed, the ghost of a smile playing round his mouth, a remote look on his face, detached from the agonies of the world. But each time after a while I have had to turn away. And in imagination I have turned instead to that lonely, twisted, tortured figure on the cross, nails through hands and feet, back lacerated, limbs wrenched, brow bleeding from thorn-pricks, mouth dry and intolerably thirsty, plunged in God-forsaken darkness. That is the God for me! He laid aside his immunity to pain. He entered our world of flesh and blood, tears and death. He suffered for us. Our sufferings become more manageable in the light of his.”
In preparing his people for their exodus from Egypt, God instructed the Israelites to sacrifice an unblemished lamb and then apply some of its blood to the tops and sides of their doorframes. God told them, “On that same night I will pass through Egypt and strike down every firstborn—both men and animals—and I will bring judgment on all the gods of Egypt. I am the Lord. The blood will be a sign for you on the houses where you are; and when I see the blood, I will pass over you. No destructive plague will touch you when I strike Egypt” (Exod 12:12-13).
Those who applied the blood to their homes were spared divine judgment and free to leave for the Promised Land the next day. God’s dramatic rescue of his people from Egypt was the preeminent act of salvation in the Old Testament, and he had several intentions in the original Passover event: to be faithful to his covenant; to expose the false gods of Egypt; to judge the wickedness and injustice of Pharaoh; to protect his people and deliver them from slavery; and to memorialize his saving power, providing hope for future generations who would keep his covenant.
The entire Passover ceremony centered on a lamb—a very specific lamb that had to meet specific requirements. For example, it had to be: a lamb that is male; a lamb in its prime; a lamb thoroughly examined; a lamb without blemish; a lamb without broken bones; a lamb slain and roasted; a lamb sacrificed by all; a lamb offered at twilight; and lamb that served as a substitute—dying so that others might live. Moreover, all of it had to be eaten family-by-family, such that every time a household walked out of Egypt the next day, a complete lamb “inside them” came out, too. Upon their great deliverance, their calendar started all over again. In essence they got a new beginning in life: “This month is to be for you the first month, the first month of your year” (Exod 12:2).
It was John the Baptist who saw Jesus by the banks of the Jordan River and said, “Look, the Lamb of God, who takes away the sin of the world!” (John 1:29). The Apostle Paul wrote, “Christ, our Passover lamb, has been sacrificed” (1 Corinthians 5:7b). The Apostle Peter wrote, “You know that it was not with perishable things such as silver or gold that you were redeemed from the empty way of life handed down to you from your forefathers, but with the precious blood of Christ, a lamb without blemish or defect” (1 Peter 1:18-19). Jesus is the new and greater Lamb for the new and greater Exodus—the exodus from slavery to sin. Indeed, Christ meets all the requirements of the Passover Lamb. He is:
The Lamb who is male
The Lamb in his prime
The Lamb thoroughly examined
The Lamb without blemish
The Lamb without broken bones
The Lamb slain and roasted
The Lamb sacrificed by all
The Lamb offered at twilight
Applying his blood by faith to the doorposts of our lives now gives a new calendar, beginning, a new life. And every time a church family walks out of a Eucharistic service, there’s one complete Lamb “inside them” that comes out with them. On the night before his crucifixion, Jesus said to his disciples, “I have eagerly desired to eat this Passover with you before I suffer” (Luke 22:14-20). He then gave his followers the broken bread of his body, and the poured out wine of his blood. He knew at that moment what believers would eventually come to learn, that God’s judgment passes over believers because it fell on his Son. Jesus was totally consumed by his love for his Father and his love for his people.
The Exodus 12 passage contains an interesting progression. It refers to “…a lamb…” (vv. 3-4a), “…thelamb…” (v. 4b); and “…your lamb…” (v. 5). Perhaps you’ve recognized that Jesus is a Lamb. Great. Maybe you’ve even recognized that Jesus is the Lamb. Even better. But have you ever made him your Lamb by faith? That’s why he came—to be your exodus from bondage to sin. Receive him today by faith, and you will get a brand new start to a whole new life (John 3:3).
The Servant Song in Isaiah 53 was written 700 years before Jesus came, yet it reads like someone composed it while standing at the foot of the cross on Good Friday. But it was a prophetic prediction, not a historical reflection. Kyle Yates, an Old Testament Professor, has called this passage “the Mt. Everest of Old Testament prophecy.” Charles Spurgeon, the famous 19th-century Baptist preacher called it “a Bible in miniature, the gospel in its essence.” Franz Delitzsch, an Old Testament scholar and commentator called it “the deepest, and the loftiest thing that…Old Testament prophecy…has ever achieved.” That’s high praise for a single passage of Scripture.
Structurally, the passage is a song or a poem of five stanzas with three verses each. Each stanza gets a little longer than the previous one, serving to heighten the dramatic impact of each as they build upon the previous one. Of whom does the prophet speak? Whoever it is, this “Servant of the Lord” experiences deep lows as well as lofty highs. He appears more ordinary than spectacular—even gruesome at one point. He is willing to sacrifice much for the sake of love. Indeed, the Servant of the Lord looks beyond the injustice of this world to the justice of God. And he maintains hope in the midst of it all by clinging to divine sovereignty in hardship. A simple walk through the text paints a portrait of this Servant and what he accomplishes:
He appeared to be totally insignificant. (1)
He appeared to be physically unimpressive. (2)
He appeared to be spiritually reprehensible. (3)
He bore our sickness and sorrows. (4)
He bore our piercings and punishment. (5)
He bore our lostness and lawlessness. (6)
His submission was total. (7)
His death was violent. (8)
His burial was notorious. (9)
He is crushed by God but is then vindicated by God. (10)
He suffers internally but is then satisfied by justifying many. (11)
He dies among the wicked but is then generous in sharing his victory. (12)
The central verse of the composition is v. 5, and it summarizes what the Servant achieves: “But he was wounded for our transgressions. He was bruised for our iniquities. The chastisement of our peace was upon him. And by his stripes we are healed.” That is, he was “pierced through” for our acts of rebellion. He was “pulverized” for our twistedness. The “punishment” that brought us well-being was upon him, and by his “scourgings,” we are healed. In other words, this Servant of the Lord takes our diseases and gives us health. He takes our punishment and gives us joy and freedom. He takes our wounds and gives us healing. In the end, the Servant of the Lord was crushed by sin so that crushed sinners could become servants of the Lord. That’s good news for us, but what about the poor Servant? Fortunately, he is eventually vindicated, too (Isa 53:10-12).
The early church applied this prophecy to Jesus (Acts 8:30-34). That’s because Jesus applied it to himself: “I am among you as one who serves. . . . It is written: ‘And he was numbered with the transgressors’; and I tell you that this must be fulfilled in me. Yes, what is written about me is reaching its fulfillment” (Luke 22:27, 37). On the night before his execution, Jesus was thinking about Isaiah 53 and applying it to his own ordeal and mission. He was saying, “Tomorrow on the cross, I will look totally insignificant, unimpressive, reprehensible—a bloody mess! But it’s all according to plan. It’s all for your benefit.” In that awful rock opera Jesus Christ Superstar, when Pilate meets Jesus for the first time, he says:
Oh, so this is Jesus Christ I am really quite surprised You look so small Not a king at all
The rap on Jesus was this: “We know who you are and where you come from. You’re the carpenter’s son. We changed your diapers. We wiped your nose. You’re nothing special.” But this is the wisdom of God. As Bill Lane has said, “Their eyes could not penetrate the veil of ordinariness around them.” Do you know this Servant of the Lord by faith as your Savior and highest treasure in life? Have you ever trusted him—Jesus Christ—for your eternal salvation? Will you be one of “the many” referred to in v. 11 whom God will declare “not guilty”? Believe him. Receive him. Love him. Follow him. He was crushed for you.
Some of us have had the occasion of ministering to friends and relatives when they took their last breath. We stand by their beds as death approaches, and we usher them into eternity. But how do we do that? If the person is a Christ follower, we often quote the Scriptures to them and sing their favorite hymns. When my father-in-law died, the whole family was gathered around his bed, and we were singing “Victory in Jesus” when he passed away. In fact, he died right at the moment we sang, “I heard about a mansion he has built for me in glory. And I heard about the streets of gold beyond the crystal sea.”
When my mother lay dying, we were singing “O Holy Night” when she passed away. In fact, she died right as we sang, “For yonder breaks a new and glorious morn. Fall on your knees; O, hear the angel voices.” It’s a sacred and somber moment to be present when a person is reclaimed by the God who gave him. How do you want to be ushered into eternity? Loved ones can sing for me Isaac Watts’ “It Is Well with My Soul,” or Michael Card’s “Emmanuel,” or Fernando Ortega’s “Give Me Jesus.” That one ends with a simple profundity: “And when I come to die, give me Jesus.” Who could ask for anything more?
When Jesus is dying on the cross, he ushers himself into eternity with the soundtrack of Psalm 22. The Psalter was Israel’s hymn book, and Jesus quotes the first line of Psalm 22 on Calvary. He may have even said or sung the entire composition from his cross after shouting the opening line. If not, he was certainly summoning the whole song to our thinking, not just its opening words. If I started singing, “My hope is built on nothing less,” many believers’ minds will keep going and supply the rest: “Than Jesus’ blood and righteousness….” If I started singing, “Blessed assurance, Jesus is mine,” many believers’ minds will keep going and supply the rest: “O what a foretaste of glory divine….” Likewise, Jesus gets us started by quoting Psalm 22:1, and the minds of those at the foot of the cross supply the rest. Amazingly, Jesus is still teaching us from the cross.
Consequently, it’s important to remember that Psalm 22 is a song of victory in the end. It begins in lament, but it ends in triumph. Moreover, David wrote it, but it’s application far exceeds what he was going through when he composed the lyrics. David was never publicly executed; he died at home, surrounded by his family. Nor did his death result in a mass conversion of peoples around the world as the lyrics go on to say. So, on the face of it, there’s a mystery to Psalm 22 when seen only through the lens of David’s historical situation. How do we solve the mystery? Peter does it for us in Acts 2:30: “[David] was a prophet and…seeing what was ahead, he spoke of…the Christ.” Psalm 22, then, is a shadow of the cross.
Now, David was truly suffering when he wrote Psalm 22. In history he was surrounded by his enemies, and he was reflecting on his pain and anguish, pouring his heart out to God in poetry. As he did so, he was moved by the Holy Spirit to write a song filled with typical Davidic exaggeration (e.g., “My tears have been my food!”). In fact, David’s hyperbole turned out to be Messiah’s reality. One line in the song says, “But I am a worm and not a man, scorned by men and despised by the people” (Ps 22:6). The word “worm” there refers to a creature from which scarlet dye was made. Prophetically, it’s one of the “I AM” statements of Jesus. The Son of Man felt less than a man when tortured by the men he had created.
Despite his ordeal, the suffer says to God, “YOU lay me in the dust of death” (Ps 22:15). It may look like the king’s enemies are killing him, but this king has another perspective: “It is GOD who is sovereign over my dying trial, not my enemies.” Indeed, Jesus overcame the deepest possible trouble with the deepest possible trust. In doing so, he demonstrated that feelings of abandonment by God are not actual abandonments by God. The cross and the empty tomb prove it. As such, the Scarlet Worm shows us how to trust God in our darkest moments.
If a picture is worth a thousand words, then a drama must be worth a thousand books. And a drama from God must be worth an entire library of divine truth. In Old Testament times, God gave Israel seven dramas to perform each year. They were seven “sacred skits” that—when acted out—powerfully illustrated the love, grace, and holiness of God better than any sermon ever could. They were known as the seven feasts of Israel.
God gave his people seven “dramatizations of doctrine” to instruct them in his ways. They punctuated the calendar of the Jews in order to penetrate the conscience of the Jews. Shakespeare said it well: “The play’s the thing wherein we’ll catch the conscience of the king.” Israel had seven opportunities each year to be “caught” by God—seven high and holy moments that caused Israel to push the pause button on life and “take in a show.” A spiritual show. A liturgical show. A show that highlighted the human condition and God’s provision to remedy that condition.
Weaving together biblical and rabbinic sources, this message looks at the feast or drama known as Yom Kippur (“the Day of Atonement”), the most sacred and somber of all the feasts. The other dramas were marked by great rejoicing, but Yom Kippur was marked by great repentance. The others were marked by great feasting, but Yom Kippur was marked by great fasting. In fact, the ancient rabbis said: “Until you have seen a Day of Atonement, you have never seen sorrow.”
In some ways, Yom Kippur was the most important of all seven. It was the one drama that enabled the people to have great joy and celebration during the other six. That’s why, over time, Yom Kippur simply came to be known as Yoma (“the Day”). The ceremony featured a slaughtered goat and a scapegoat. The former had its blood sprinkled on the ark of the covenant inside the Most Holy Place of the tabernacle/temple. The latter was taken outside the camp and led to its death. Central to the ceremony was the work done by the High Priest, whose emergence from the Most Holy Place alive was the indication that God had accepted his sacrifice, and Israel’s sins could be covered for another year.
Ultimately, Yom Kippur was a foreshadowing of the final atonement made by Jesus Christ on the cross. Indeed, he became the Yom Kippur goats on that first Good Friday. As Jesus is deity in human flesh, we can only rejoice that God does not demand our blood for our sin, he offers his own. After making atonement for humanity’s sin, Jesus, the final High Priest, “sat down” (Hebrews 20:12), something no other high priest could do on Yom Kippur. The atoning work of Jesus is finished forever, and we know God accepted his sacrifice because he came out of his tomb alive.
In watching Jesus carry the wood of the cross to the place of execution, Christians naturally think of the story of Abraham and Isaac in Genesis 22. God said to the patriarch, “Take your son, your only son, Isaac, whom you love, and go to the region of Moriah. Sacrifice him there as a burnt offering on one of the mountains I will tell you about.” Abraham obeyed God, and Isaac quietly carried the wood up the mountain, preparing to be slaughtered by his own father.
In many ways, the story is disturbing, repugnant, and infuriating. We want to know what it was that drove Abraham up the mountain to take the life of his beloved son. We want to know why Isaac was so passive and compliant in the whole affair. And we want to know why God intervened at the last possible moment, possibly traumatizing Isaac even further. The entire episode is a bit more comprehensible when we understand that covenants often involved the exchange of firstborn sons. But sending Isaac to live in God’s house would necessitate his death. That’s hard to take.
Yet it was precisely because Isaac’s life was on the line that something even more horrendous than child sacrifice was at issue—namely, the possibility that God could be a liar. After all, Isaac was the child of promise, so if he died, God’s trustworthiness would die with him. Isaac has to live—or be resurrected—if all nations of the earth are to be blessed through his line. Abraham knew this, as the New Testament tells us in Hebrews 11:17. Abraham was convinced that God cannot lie, so he raised the knife. Just then an angel of the Lord called out from heaven, “Abraham! Abraham! Do not lay a hand on the boy. Do not do anything to him. Now I know that you revere God, because you have not withheld from me your son, your only son.” Abraham looked up, and there in a thicket was a ram caught by its horns. He took the ram and sacrificed it as a burnt offering in the place of his son. Amazing.
Genesis 22 is a story about the costly sacrifice of a father, the willing submission of a son, and the gracious provision of the Lord. “He will provide,” said Abraham. “The Lord will see to it.” No wonder Jesus said to his contemporaries, “Your father Abraham rejoiced at the thought of seeing my day; he saw it and was glad” (John 8:56). Jesus was now part of a similar story himself, and Abraham had gotten a preview of it. But what did Abraham see when he was standing on Mount Moriah? What did he hear? What did God show him? Did Abraham see the obedient Son of God bearing the wood of the cross to Golgotha—the Son for whom there would be no substitute this time? Perhaps if Abraham had been standing at the foot of the cross and had seen Jesus die right in front of him, he would have looked up to heaven and spoken God’s words back to him: “Lord! Lord! Now I know that you revere me, for you have not withheld from me your Son, your only Son, Jesus, whom you love.”
This message shows how the hardest thing God could ever ask of us is the very thing he did for us—he gave us his only Son.That Son was a descendant of Abraham through Isaac, and all families of the earth are blessed through him. God kept his word. Again. “What, then, shall we say in response to this? If God is for us, who can be against us? He who did not spare his own Son, but gave him up for us all—how will he not also, along with him, graciously give us all things?” (Romans 8:31-32). Even more amazing.
It all started in the garden of Eden. One man—made in the image of God—has the privilege of walking with God, talking with God, and enjoying God. His Hebrew name is Adam, which means “humanity.” He is the fountainhead of the human race, and he represents all of us. In this garden, Adam has a choice to make: Say “yes” to God, and all will be well, or say “no” to God, and all will be lost. As the story goes, Adam says “no” to God. In effect, he says to him, “Not thy will but mine be done.” As a result, his paradise is blitzed, the ground beneath him is cursed, and humanity is born again backwards into the darkness. Weeds of alienation start springing up everywhere. Humans are alienated from themselves, from each other, from creation, and from God himself. They’re naked and ashamed, hiding in fear.
But it’s a gracious God who seeks them out. Though he was the one dishonored, God pursues Adam and his wife to start repairing the mess they had made. He replaces the fig leaves they made to cover their nakedness, giving them instead garments of skin to wear (Gen 1:21), a more suitable covering than what they had crafted with their hands. But in order for Adam and Eve to wear garments of skin, God had to take the life of one of his own creatures to make it happen. Somewhere in Eden, then, there lies a dead animal carcass so that Adam and Eve can be spared the death sentence for their cosmic treason. As such, we are introduced on the earliest pages of the Bible to the theological concept of substitution—one dying so another can live.
If that weren’t enough, God gives them a word of hope, a prediction. He speaks of a man who will someday come to crush the head of the serpent, the creature that enticed the first couple to say “no” to God in the first place. In the process, the man will suffer a devastating wound. It’s the first hint in Scripture of the sacrificial death of Messiah to come, but God is determined to see human sin atoned permanently. And so, we wait. For thousands of years, we wait until we find ourselves in another garden. Jesus in the garden of Gethsemane is “the Last Adam” and the fountainhead of a new human race. In this garden, Jesus also has a choice to make: Say “yes” to God, and humanity will be rescued, or say “no” to God, and humanity will stay ruined. Thankfully, where Adam said, “Not thy will but mine be done,” Jesus says to his Father, “Not my will but thine be done.” Gethsemane, then, is reversing the misfortunes of Eden, as the next day, Jesus goes to the tree of death to give us back the tree of life. He becomes the carcass in the garden.
But why was the cross of Christ necessary for our salvation? Why did Jesus have to die? Why is forgiveness not by divine decree? If God can say, “Let there be light,” and it was so, why could he not also say, “Let there be forgiveness,” and it was so? Historically, the former statement has been seen as entailing no violation of God’s nature or ways. The latter, however, has been seen as a violation of at least some of his attributes. On the one hand, God’s holiness and justice require the condemnation of sinners. One the other hand, God’s mercy and grace require the forgiveness of sinners. Which will it be? Is there not a “divine dilemma” here demanding resolution? Is there a way for God to separate sinners from their sin so he can judge the sin while sparing the sinner—thus keeping all of his attributes perfectly intact?
In addition to connecting the dots from Eden to Gethsemane, this message explores how the cross is God’s crowbar that separates sinners from their sin, allowing them to be forgiven. Indeed, on the cross, God’s holiness and justice are satisfied (sin is condemned), and God’s mercy and grace are realized (sinners are forgiven). God did not sweep human sins under the rug, he swept them onto his Son—with the adult Son’s permission. On the cross, then, God’s attributes “collide” and find their mutual resolution in the death of Jesus Christ. And the restoration of Eden begins.
American Psychologist Rollo May once wrote, “Depression is the inability to construct a future.” In other words, the person who lives in a constant state of darkness and despair has experienced the death of hope. It’s a feeling many of us can relate to because depression is a worldwide phenomenon. It’s been known and studied for more than 3,000 years.
The World Health Organization estimates that over 125 million people around the world are clinically depressed each year. Twenty-five million of those people live right here in the United States. That includes entertainers, musicians, athletes, politicians, scientists, white collar workers, blue collar workers, the clergy, and more. In fact, more Americans suffer from depression each year than heart disease, cancer, and AIDS combined.
Depression is both common and complicated. It’s a condition with many causes, many expressions, and therefore many definitions. Some have called it “a howling tempest in the brain.” Others have called it “the common cold of mental illness.” And just like the common cold, there’s no immediate cure, but everybody seems to have a remedy for us. Especially Christians.
Sometimes our prescriptions sound callous or even cruel, coming across as if we’re saying, “Take two Bible verses and call me in the morning.” But that doesn’t work. And it’s not even an issue of faith most of the time. In fact, depression affects believers and unbelievers alike. The great Reformer Martin Luther lived with depression. So did:
The Puritan author John Bunyan
The Baptist teacher Charles Spurgeon
The Bible translator J. B. Phillips, and
The hymn writer William Cowper
We can add to the list Michelangelo, Winston Churchill, and Abraham Lincoln. In fact, President Lincoln once wrote in his journal: “I am now the most miserable man living. If what I feel were equally distributed to the whole human family, there would not be one cheerful face on the earth.”
Even Presidents are not immune to depression. Neither are God’s people. Consider Moses, Elijah, David, Jonah, Job, Jeremiah, and Peter—all of them, at one point or another, were depressed. Moreover, the book of Psalms reads like an emotional roller coaster. One minute the tone soars to the heights of exultation in God. The next minute we watch it plummet to the black hole of despondency.
But almost every time it plummets, it comes back up again. The writers always seem to come around to some sort of resolution—some sort of peace, hope, joy, contentment, or confidence that God is at work. Only two of the biblical psalms have no expressed hope in them at all—Psalm 39 and Psalm 88. The latter composition is the great lament of Heman (not to be confused with “Haman” in the book of Esther; the Hebrew spellings are different).
In Psalm 88, the word “dark” or “darkness” is used three times (vv. 6, 12, 18). Heman feels like he’s surrounded by darkness, and there’s not a single ray of light to be found anywhere. In fact, in the Hebrew Bible, the word “darkness” is the very last word of the prayer. That doesn’t come through in English, but that’s how the original reads. So, we have to ask, what’s a prayer like this doing in the Bible? Why did they include it?
The book of Psalms reads like an emotional roller coaster. One minute the tone soars to the heights of exultation in God. The next minute we watch it plummet to the black hole of despondency.
Heman is not exactly a household name—even for students of the Bible—but he played a vital role during the reign of King David and King Solomon. He was a well-respected prophet and worship leader in Israel during the glory days of the monarchy. He served at the temple by royal appointment, and Scripture tells us that Asaph was Heman’s right hand man. Asaph is better known to us than Heman, mostly because Asaph’s name is on 11 of the psalms, while Heman’s name is attached to just one. (After reading Psalm 88, we might conclude that one is enough from the hand of Heman!)
Psalm 88 is there to teach us that while suffering and depression may be inevitable, they’re not incompatible with faith. On the contrary, the weakest prayer in darkness can be an entry point for light. Heman thought his darkness was both absolute and permanent, but it wasn’t. God hadn’t abandoned him. How do we know that? And do we know he won’t abandon us?
While suffering and depression may be inevitable, they’re not incompatible with faith.
The end of Psalm 39 contains a heartbreaking appeal: “Turn your face away from me, God.” The end of Psalm 88 likewise contains a devastating assertion: “Darkness is my closest friend.” What these two writers expressed poetically one man experienced literally. Matthew 27:45 says, “From the sixth hour until the ninth hour darkness came over all the land. About the ninth hour Jesus cried out in a loud voice, ‘Eloi, Eloi, lama sabachthani?’ ”—which means, “My God, my God, why have you forsaken me?” That is, why have you turned your face from me? Jesus experienced the ultimate darkness that Heman thought he had gotten form God (but didn’t). Jesus on the cross got the real darkness. Willingly. For us. And he knows how it feels to go as low as one can go.
But the Jesus Story doesn’t end on the cross. Or in the tomb. As Peter writes, “Praise be to the God and Father of our Lord Jesus Christ! In his great mercy he has given us new birth into a living hope through the resurrection of Jesus Christ from the dead” (1 Pet 1:3). If ever it looked as if hope had died forever, the cross of Christ was it. But the death of Christ was not the end of Christ. That’s why Peter speaks here of: “a living hope through the resurrection of Jesus Christ from the dead.” A living hope, as opposed to a dying hope or a fading hope. Darkness is always temporary in a world that features a risen Christ.
The weakest prayer in darkness can be an entry point for light.
Somebody once said, “Hope is the ability to hear God’s music of the future, and faith is the courage to dance to it now.” Indeed, real hope is essential to dancing through our present struggles. How can we do that? We get help from trusted sources. We get a qualified therapist if we need one. We take meds if they’re properly prescribed. We take care of ourselves—physically and spiritually—as best as we can. We look at the trials of life and remind ourselves, “It’s nothing a resurrection can’t cure in time.” So, we press through the darkness with God’s help, and others’ help, and we wait for the clouds to lift.
Darkness is always temporary in a world that features a risen Christ.
Despite his horrible circumstances—and the severe depression it caused him—Heman demonstrates the beauty of a melancholy believer who will cling to God in faith even while swirling down the vortex of misery. We salute him for what he can teach us today. “Weeping may last for a night, but joy comes in the morning” (Ps 30:5b). So, hasten the morning, Lord. For all of us.
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Today we conclude our reflection on Grace Remington’s “Mary Comforts Eve,” a simple sketch with profound theological messaging. In Part 1 we looked at the picture without comment, scanning the piece and letting it have its impact on us. In Part 2 we looked at the encounter in general, noting the significance of these two women meeting in the presence of Christ. In Part 3 we looked at the three types of fruit presented in the sketch, two of which are visible and one of which is not. In Part 4 we looked at the artist’s strategic use of color and how each one telegraphs important spiritual truths. In this last part, we look briefly at the hands, feet, and faces of the two women. They, too, tell a story.
Garrett Johnson has noted, “We find Eve; that is, we find ourselves, walking along our path, tripping upon the serpent’s scales, dolefully latching onto our symbols of self-satisfaction and divine pretensions.” Johnson is perceptive in his assessment of the fallen matriarch. A similar and contrasting observation can be made of Mary. She clings to nothing; instead, her hands are free to gently caress the one who desperately needs her Son, whom she will soon share with the world. Indeed, all of Eve’s children need her Son, and God brings him to us as promised though this young obedient servant of his.
The two women make contact through look and touch, banishing the isolation and alienation that often accompany sin. Yet there is a hint of reluctance on Eve’s part, so the scene has begun, but it is not yet completely resolved—leaving us to contemplate her response to Christ. And ours.
Specifically, Eve’s right arm takes a defensive posture, as if she were trying to cover herself, even while holding onto the forbidden fruit. The bend in her arm forms a V, one of the universal symbols of women. Moreover, this V creates an arrow pointing down toward the serpent, which is entwined around her legs. Despite the entanglement, Eve is able to walk, though it is clearly difficult for her to do so. Her journey is encumbered every step of the way by the enemy, but the mother of the redeemer now stands before her. Consequently, Eve is stepping in the direction of hope—but not without assistance.
Eve’s left hand is touching Mary’s belly, but only because Mary has apparently pulled it toward the child, overcoming Eve’s hesitation. Her reluctance is no doubt rooted in her sense of shame and unworthiness. Mary knows, however, that it’s precisely for such people that Jesus has come. Confidently, then, she helps Eve touch the one who will undo the effects of her cosmic treason.
Additionally, Mary gently strokes Eve’s cheek with her right hand, giving her assurance that all will be well. The promised deliverer, “the seed of the woman,” has finally come. Jesus will take her shame and nakedness to himself on the cross, and in the process, his “heel” will be “bruised,” as the prophecy says. Crucifixion is ugly business, but no longer will Eve need to bear the weight of her own sin and all the calamity it unleashed on the world, for the world’s sin bearer is now here.
Mary, of course is stomping on the head of the serpent, rendering it impotent in the presence of the gestating Christ. This dramatic act portrays the protoeuangelion of Genesis 3:15, where God judges the serpent with these words: “And I will put enmity between you and the woman, and between your offspring and hers; he will crush your head, and you will strike his heel.”
Protestants need not object that Mary is the one crushing the serpent’s head in this scene because: (1) Jesus will do exactly that in his death, burial, and resurrection; and (2) Jesus will give his followers authority to do the same. As Paul wrote to the Christians in Rome, “The God of peace will soon crush Satan under your feet” (Rom 16:20; emphasis mine). Believers will share in the crushing because Jesus did the neutralizing of satanic authority: “And having disarmed the powers and authorities, he made a public spectacle of them, triumphing over them by the cross” (Col 2:15). Consequently, Eve is able to drop the forbidden fruit and step into the future with freedom, confidence, and joy. Will she do so? Will we?
Perhaps the most striking aspect of the sketch is the contrast of expressions. Eve’s face is crestfallen, downcast, and ashamed. She blushes profusely because of the humiliation that comes from having her sin exposed to the world. It’s difficult for her to look up, although she clearly tries to do so, daring to hope that Mary’s child might offer the relief her soul so desperately needs.
Mary’s gaze is priceless. She smiles gently at Eve, knowing full well that her child is the hope of the world and the remedy for all its miseries. She conveys no sense of judgment, haughtiness, or condescension toward Eve, only love. Her eyes are wider than Eve’s because she knows from the angel exactly who this child is and what he has come to do. Eve is still in the process of discovery, so her face is not yet relieved of all its agony, nor is she yet able to look at Mary directly.
King David had a similar experience. In his prayer of confession to the Lord over his sin with Bathsheba, he pleaded to God, “Hide your face from my sins and blot out all my iniquity” (Ps 51:9). So ashamed was he of his sin that he asked God to stop noticing it, something he was unable to do himself (cf. Ps 51:3). But as soon as the king made that request of God, he virtually reversed course and cried out, “Do not cast me from your presence (literally, “your face”) or take your Holy Spirit from me” (Ps 51:11). Did he want God’s face to stay or go?
The crisis was devastating to David. In v. 9, he wanted God to hide his face from his sin, but in v. 11, he didn’t want God to hide his face from him. The dilemma was acute. If God chose to look on David’s sin, it would produce in him a deep sense of unbearable shame; if God chose not to look on him at all, it would produce in him a deep sense of awful abandonment. Neither option was pleasing to David, and his only hope was that God would somehow find a way to cut the Gordian knot of unacceptable choices. The knot is finally cut by Mary’s child, who grew up and became “the Lamb of God who takes away the sin of the world” (John 1:29).
I, too, know the shameful blush that comes from sinning against God and wounding others—precious people made in his image who deserved better from me. Maybe you know that feeling, too. We cannot undo our own treason against God, but Jesus can. Be assured that the grace of God in Christ is greater than your failures. Humbly accept his gift and turn from what made it necessary in the first place. If your face is downcast in shame, humiliated by your own sin, dare to look at Christ by faith this Christmas. You’re why he came.
We’re why he came—sons of Adam and daughters of Eve. As the old carol says, Jesus came “to save us all from Satan’s power, when we are gone astray.” Indeed, he came to be “the glory and the lifter of [our] head” (Ps 3:3) so that we could look God in the eye again, stepping into the future with freedom, confidence, and joy. He came so the ancient blessing given to God’s people could fully and finally be true:
The Lord bless you and keep you; the Lord make his face shine upon you and be gracious to you; the Lord turn his face toward you and give you peace (Num 6:24-26).
We continue our reflection on Grace Remington’s “Mary Comforts Eve,” the portrayal of a hypothetical encounter between the two main mothers of Scripture—the mother of the human race and the mother of the new human race. The descendants of the former are spiritually broken and stand in need of redemption; the offspring of the latter is spiritually perfect and thus stands able to serve as humanity’s redeemer. The colors in the sketch assist the artist in telling the story.
Eve is covered in her own beautiful brown hair, and brown is the color of the earth. In fact, the garden floor in this sketch is also brown. It’s the earth from which Adam was created by God. Eve, who was derived from Adam, was therefore made of the same “stuff” as Adam. As such, Eve is of the earth, and to the earth she will return in death because of her sin (Gen 3:19).
On a side note, what Eve is wearing underneath her hair is not immediately apparent in the sketch, but Scripture tells us it would have been the garment of skin that God had made for her so her shame and nakedness could be covered. God replaced the garment of leaves she made with her own hands with a more suitable covering made by his own (Gen 3:21). The theological point is that salvation is never rooted in human effort; it is always rooted in divine grace. Self-salvation is no salvation at all.
And do note that it was God who drew first blood on the planet, not Cain. God sacrificed the life of one of his own creatures so that Eve could be spared the imminent death sentence she rightly deserved. Somewhere in the garden, a bloody carcass lay dead because of Eve’s sin (and God’s mercy in covering that sin).
Mary is covered in a garment of snowy white, which is the color of purity.In Catholic theology, Mary’s purity is due to her own “immaculate conception” in her mother’s womb, preserving her from spiritual depravity. In Protestant theology, however, Mary is a member of the fallen human race like any other woman. As such, she needs a Savior, too (cf. Luke 1:47). Her purity comes from the fact that “the Holy Spirit will come upon you, and the power of the Most High will overshadow you. So the holy one to be born will be called the Son of God” (Luke 1:35). I hold to the latter view, as the former is a late theological development with no biblical warrant.
In any event, the white garment signifies that just as Mary is made pure by the gracious presence of Christ in her, so the fruit of Mary’s womb, Jesus, can make Eve and her descendants pure, too—but only through the cross, which also makes an appearance in the sketch.
In addition to her white robe, Mary is also draped in a blue head scarf, and blue is the color of the skies and/or heavens. She herself is not from heaven, but she carries the one who is—Jesus, “the man from heaven” (1 Cor 15:14-49). Ominously, her headscarf forms a crown in the shape of a cross, which corresponds to the awful prophecy Simeon gave Mary just after the birth of Jesus: “And a sword will pierce your own soul too” (Luke 2:35).
Eve’s “crown,” on the other hand, is earthy brown—a row of curls made by her own tainted fingers. It’s a hint, perhaps, at the crown of thorns that will go on to encircle the head of Christ in his atoning work on the cross. But notice further that the blue cross seems to flow like living water down Mary’s shoulders and back, directly toward the head of the serpent. The crafty beast will soon get what’s coming to him.
The fair skin of the women is not historically accurate. They would have been much browner in tone, Easterners as they were. I suspect the fair skin represents an application of the universal biblical story to the specific race of the artist—an acceptable practice if applied across the board with equal acceptance. That is, were the artist non-Caucasian, Eve and Mary might well be portrayed in that artist’s race, too. “Red, and yellow, black, and white—they are precious in his sight.”
The garden arch is predominantly green, which speaks of life, abundance, and divine goodness, a theme discussed in the previous post. Moreover, the archway is lush with ruddy-yellow fruit, an indication of the kindness, grace, and provisions of the generous God who gave it. He delights in giving good gifts to his children. The single forbidden fruit in Eve’s right hand is solid red, distinguishing it from the copious good fruit made available to her throughout Eden. The serpent is green, too, because it’s a living creature, but it also features dark splotches, an indication of its sinister intentions toward God’s treasured child.
Best of all, the encounter takes place in a yellow-gold light, one that illuminates the entire scene. This color can represent both royalty and divinity, so the stage is awash in the presence of God. That presence envelops both Mary and Eve. Moreover, the in utero Christ is “Emmanuel,” God with us. The point is that God is here. He is in this scene despite the presence of the sinner and the serpent. He has not been put off. He has not abandoned his people.
The implication is that God is with us in our moments of failure and shame (as represented by Eve) as well as our moments of faithfulness and obedience (as represented by Mary). He does not run away. Rather, he pursues us with his “goodness and mercy…all the days of our lives” (Ps 23:6).
That pursuit took Jesus to another garden—the Garden of Gethsemane, where he “prayed more earnestly, and his sweat was like drops of blood falling to the ground” (Luke 22:44). Quite significantly, the first blood shed by Christ in his Passion was not drawn by human hands (cf. Gen 3:21). He bled freely of his own accord in the garden before placing himself into the hands of his captors. In other words, he had already given what his tormentors would claim they had taken (cf. John 10:17-18).
God sacrificed the life of his only Son so that we could be covered by him and spared the imminent death sentence we rightly deserved, similar to what happened in Eden. One hymn writer described it like this: “Amazing pity, grace unknown, and love beyond degree.” The result is what the Apostle Paul argued in 1 Corinthians 15:47-49:
“The first man was of the dust of the earth, the second man from heaven. As was the earthly man, so are those who are of the earth; and as is the man from heaven, so also are those who are of heaven. And just as we have borne the likeness of the earthly man, so shall we bear the likeness of the man from heaven.”
In other words, we can go from earthly brown to heavenly blue, wearing snowy white—all because the golden Christ once became bloody red for us.